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Art History and Its MethodsBy Eric Fernie
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Approaches to the history of art are probably more varied - and more debated - than in any other branch of history, and a study of different historical approaches is becoming an increasingly important component of many academic courses. This anthology of art-historical writings from the Renaissance to the present day has a particular focus, for key texts have been chosen in which the authors themselves reflects on the nature of their subject and on their own methods of inquiry. Included are texts by Vasari, Winckelmann, Burckhardt, Wolfflin, Panofsky, Gombrich and Pollock, among others. The introduction gives a summary of art-historical methods, and each of the texts is accompanied by a brief commentary which places it in context and discusses the issues it raises. Also provided is a critical glossary of art-historical terms, a brief biography of each of the historians, and a select bibliography.
- Sales Rank: #549895 in Books
- Brand: Brand: Phaidon
- Published on: 1995-07-09
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.00" w x 6.13" l, 1.75 pounds
- Binding: Paperback
- 384 pages
- Used Book in Good Condition
From Library Journal
Critical essays culled from the writings of 27 significant art historians and writers comprise this scholarly collection. Fernie, the director of the Courtauld Institute of Art at the University of London, promises to provide a "view of the methods which art historians have found appropriate or productive in studying the objects and ideas which constitute their discipline." The chronologically arranged excerpts begin with Renaissance writer Giorgio Vasari's biographical approach and include Goethe's praise of Gothic style, Jacob Burckhardt's historical observations, Johann Joachim Winckelmann's reflections on the cultural context of art, Giovanni Morelli's study of attribution, Roger Fry's analysis of form, Erwin Panofsky's discussion of humanism, and Griselda Pollock's present-day feminist analysis. Fernie's introductory overview of approaches to art history, his insightful comments preceding each essay, and a helpful glossary provide a substantial framework for the erudite writings. Recommended for academic collections.?Joan Levin, MLS, Chicago
Copyright 1995 Reed Business Information, Inc.
Review
'A book destined to become a standard work.' (The Art Newspaper)
From the Back Cover
Approaches to the history of art are probably more varied and more debated than in any other branch of history, and a study of different historical approaches has become an important component of student courses.
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